Kantara - A cinematic retelling that made us rediscover the culture of Tulunadu
Written and Directed - Rishab Shetty
Producer - Vijay Kirangadur
Starring - Rishab Shetty, Sapthami Gowda, Kishore, Achyuth Kumar, Shine Shetty.etc
Music - B. Ajaneesh Loknath
Cinematographer - Arvind S Kashyap
Editor -K.M Prakash, Shobith Shetty
Stunts - Vikram Mor
Storyline - Kaadbettu Shiva, a Kambala Athlete has a beef with DRF Officer Murali. He is the son of Annappa, a Bhuta Kola performer who went missing and the trauma bars him from carrying on the legacy.
My Review -
Hombale Films which has been based in Bangalore has become synonymous with resurrecting Kannada Cinema. From making the big gangster epic franchise KGF, they went a step ahead in producing a spiritual action drama film named Kantara - A Legend. Released on September 30, 2022, this film became a surprise hit at the box office and caught the attention of so many people across Karnataka and even South Indian states like Kerala, Tamilnadu, Andhra and Telangana.
Performances -
Rishab Shetty stole the show as the actor in which he played to his strength. His performance turned out to be the highlight during the last half an hour that left me stunned. Sapthami Gowda impressed as Leela. Kishore brought in a neatly layered performance and his talent spoke volumes. Achyuth Kumar gave us an unexpected twist as a landlord who is revealed as the villain with a subtle but terrifying performance.
Technicalities -
It is not easy to direct yourself as an actor but Rishab Shetty literally proved that this was a cakewalk for him. He pulled out all stops as a writer, director and actor bringing out a one man show. His wife Pragathi Shetty also played a role in designing the costumes that were so rooted to the 3 timelines that the film had been set in.
Dharani Gange Putra might be a newcomer but the set design he did was so amazing that he reminds us of Sabu Cyril who designed the Bahubali Franchise. The stunts by Vikram Mor were so rooted but commercially well done. Aravind S Kashyap brought authenticity to the frames and shots. K,M Prakash and Shobith Shetty did a great job in handling the cuts of the film.
The script blended the old traditions of Tulu Nadu by integrating Bhuta Kola as a folk art of worship and Kambala as a sport together to project Shiva's rage. It brought out the ego tussles between Shiva and Murali to the forefront that we were rooting for him. This film also portrayed the worship of Panjurli and Guliga Daivas so perfectly in a scene when the king asks for the deity which will grant him peace and the deity through a medium says that he will come and in return the king should grant the land where his voice carries and if any one of his decedents goes back on the word, they would be punished by Guliga Daiva who is ferocious.
B Ajaneesh Loknath proves that he is the big daddy when it comes to making songs and bgm that blend folk music and carnatic music. Varaha Roopam deserves special mention as it blended carnatic music, hard rock and throat singing from Tibet.
Bottom Line - The best film ever made.
IMO - It deserves a rewatch.